According to the e-book I purchased – New Graves at Great
Norne doesn’t seem to have had many reprints and the cheapest one on ebay is
£13 plus £20 postage from the US - Wade was actually the pseudonym of baronet Sir Henry
Lancelot Aubrey-Fletcher, High Sheriff of Buckinghamshire.
This has no relevance to New Graves though. The story is set somewhat prosaically in a not particularly picturesque and sometimes foggy harbour town, big
enough to have a church and railway and farmers market, and to sustain at least
three pubs, a high street and a man with a barrow who acts as a kind of
unofficial porter to the populace, but also small enough to have a limited cast of characters.
A reference to the Munich ‘settlement’ places
the story firmly before the war, and there may be an element of nostalgia in the four or five paragraphs where the town is described and the scene set. It's very much of the ‘tell’ and not ‘show’ style of writing; which is odd, because Wade is clearly able to build a word portrait much more
subtly, and the place has a much clearer and more interesting character
by the end of the book than provided by this odd AA guide style description at the beginning.
So we have our setting and our cast - a fluttery spinster, a
vicar, the churchwarden (the uptight, upright and austere Colonel Cherrington)
a young blade living off his wife’s father, the doctor and his wife, and a ghoulish
and cryptic sexton. There are others – in fact there are too many and I lost
track of some of the patrons of the public houses who didn’t seem to be there
except to egg each other on to gossip – but those are the ones that stood out.
Then the murders start and the yard is called in and the
book becomes something in the nature of a police procedural, with no real
detective in the sense I expected. Detective Inspector Joss is a local lad perhaps
destined for higher things, but he’s no maverick genius. Myrtle of the yard turns
up to help and is met at the station, causing yet more gossip in the pubs.
In fact there are six or seven police officers all told (again too
many, I lost track of the less important ones) and they all go about stolidly
collecting information, drinking cups of tea and eating their dinners. We meet none of their wives, but we do find out that they are good cooks.
Myrtle eats his way through the dinners as well, pops back to London occasionally and tries not
be too critical of the locals while having absolutely no flash
of brilliance himself. Instead he investigates slowly and methodically, talking
to person after person until he finally manages to stumble across someone who actually knows
something.
It could all be very dull, and undoubtedly would be if it weren't for the absurdly high body count. Unfortunately that only makes the police look more plodding. Myrtle is clearly pretty unimpressed with himself at the end of the book and frankly so am I.
Also rather irritating is a whole subplot about a rocky marriage which is just left hanging. He may be going mad and she may be going to leave him and we just never find out. It's bizarre.
So all in all I found New Graves at Great Norne quite
entertaining, but ultimately forgettable.
A great title to contribute to the club, thank you - what a pity it didn't turn out to be as good as hoped. The Golden Age certainly had some duds amongst the gems.
ReplyDelete